Wonderfully quirky, hilarious, unusual, imaginative, exactly what a four-year old loves – but watch out, once you read this book, that four-year old will say, “Again!”
Maybe not every parent wants a baby monster, but every child will enjoy reading along …. OGG, ARF, HEE HEE … as Winnie and Dad venture to a baby monster store and pick out the perfect baby monster to bring home. No worries. Winnie has already become a monster expert. She has done her research and read “Raising Your Pet Monster.” Of course she is completely ready to walk and feed her own pet monster, even pick up the monster poo. But fair warning: “Baby monsters are something else, let me tell you. They might use the toilet for a swimming pool. They might try to eat Papa’s cell phone. They might not sleep much. They certainly will need a LOT of cuddles, hugs, food, and even a bit of discipline. It’s a good thing baby monsters are so cute.”
It’s also a good thing that this picture book is so funny.
Here I am reading it AGAIN to my grandson.
A Katherine Tegen Book by HarperCollins, March, 2016.
Songs have many of the same attributes as picture books – rhythm, repetition, rhyme. Like picture books, they’re written to be sang (read) and performed (shared aloud). Which is one of the reasons that Emily Arrow’s new CD of Kid-lit tunes is such a treat. A collection of picture book-inspired and kid-friendly songs, Storytime Singalong Vol. 1 is perfect for classroom teachers, librarians, parents, story times, and more!
DIANNE: You’re both a musician and a songwriter. Your newest project – songs inspired by picture books – makes a lot of sense, given your experience as a K-6 music teacher. When I think about it, though, it’s more common to find the reverse – familiar songs to which illustrations have been added so that the lyrics can be made into a picture book. Which begs the question – how did you get started on this journey of pairing a song you’ve written with a favorite picture book?
EMILY: As a music educator, I was always looking for ways to tie in my passion for children’s literature. And after scouring the internet for resources, I decided to just create my own! Which snowballed into tons of songs about all of my favorite stories that I began singing at local children’s bookstores.
DIANNE: Many of your songs can be found on your youtube channel. At what point did you begin to consider making videos and taking your songs beyond the classroom, library, and bookstore walls?
EMILY: I think it’s important for artists to make art for our own happiness. But sometimes, there’s a giant tug to share it and hope it will lead to even more happiness out there. And I think one of the best platforms for my style of music to be shared on is YouTube. It’s easily accessible by the teachers and parents who are sharing my videos with their students and kiddos!
DIANNE: How do YOU get started writing a new song? Do you sit down at the piano, pick up your guitar, hear a line of notes in your head? What’s your process? Words first? Music first? Or does it depend on the book/song?
EMILY: Sometimes I co-write songs with other songwriters and that process is super fun and collaborative. But when I wrote alone, I sit on my bedroom floor with an open notebook, pencil, ukulele, and the book I’m writing asong about. I read the book over and over and over and write on the pages which section of the song I want them to be (I know, very taboo!) For example, when I was writing LOUISE LOVES ART, I circled the words, “so much to draw, so little time!” and wrote next to them: Chorus. Then I pick up my ukulele and create a sound palate to match the illustration style of the story. Once I feel like I’m really connecting with the book’s message and concept, I begin singing lyric bits and adding fun interactive elements.
DIANNE: What tips can you give kids if they’re interested in writing their own songs, perhaps even those inspired by a story they’ve written?
EMILY: A few tips: use some fun recording tools like voice memos and garageband to remember your ideas and try co-writing a song with a friend!
Enjoy the song based on Peter Brown‘s book, THE CURIOUS GARDEN, and then, hop over to the John Lennon Songwriting Contest and vote for Emily HERE!
THE LOST CELT written by A.E. Conran, Gosling Press, 2016, is a treasure of an adventure story with heart, perfect for a middle-grade reader who also loves video games.
“The best kind of children’s adventure story …. Not to be missed.” Katherine Applegate, Winner of the 2013 Newbery Medal
THE LOST CELT is a page-turner hero’s tale full of mystery and adventure. This middle-grade book shows it how it is to be a fourth grade boy who is hooked on video games plus time-travel adventures. The reader follows Mikey’s quest to solve an amazing riddle that threatens his safety and survival.
The book also touches upon some of the current challenges that our veterans face. This deeper story layer never slows down the action nor becomes didactic, but introduces an awareness of harsh realities faced by many veterans of war – past and present. Full of heart, The Lost Celt, shines a gentle light on contemporary problems while the humor and mystery captures and holds the interest of young readers.
THE LOST CELT is full of family, fun, and heart, with a wonderful roller-coaster ride of page-turning action.
It is quiet and peaceful walking along the shore with Grandfather and Yujiin, Manami’s beloved dog. But the quiet won’t last.
Things are normal. Grandfather tells stories Manami knows well. They walk on the beach. Yujin cocks his head, perches beside them, licks their hands.
Things are not normal. Each day new ships arrive. Warships. Soldiers are everywhere.
It’s 1942, shortly after the Japanese attacks on Pearl Harbor. Posters all over town announce the single word that will change the fate of Manami and her family: Evacuate. Soon, they will be forced to leave their home by the sea. They, and many of their neighbors, will be taken to Manzanar, one of 10 camps where Japanese American citizens and resident Japanese aliens were interned during WW II.
Sepahban’s spare, poetic prose eloquently brings voice to the longing, resilience, tensions, and loss experienced by Manami and her close-knit family during this very difficult and tragic period of US history. I gulped down this hauntingly beautiful novel in one sitting. Don’t miss Lois Sepahban’s stunning middle grade debut.
Learn more about PAPER WISHES in this NYT REVIEW by Naomi Hirahara, author of the middle-grade novel, 1001 Cranes.
Share this LISTof recommended books on Japanese internment camps with students in grades 1-8.
With a name like Dylan Snivels, who wouldn’t be a villain? A super-villain, at that. Seems baby Dylan comes from a long line of villains, but in Dylan the Villain, written and illustrated by K. G. Campbell (Viking 2016), it’s Dylan’s fight to remain on top in the villainous world of kindergarten that we care about. He wears a super-scary costume and has a super-villain laugh, and his doting mother and father boast that his super-villain inventions are “extra super-villainous.” But Dylan is no match for … Addison Van Malice!! (“She has blue hair! Who has blue hair?” Poor, clueless Dylan …)
Or is he?
“And yes, Dylan’s laugh was crazy.
But Addison Van Malice’s was bananas!”
This hilarious picture book will delight any child who is a villain or who holds villainous thoughts deep in his or her heart (and isn’t that every child??) and make the grown-ups who read it to them laugh out loud. Dylan and Addison battle to the finish, and a satisfying finish it is … or is it? As the last line in the book says, “THE END?”
If that isn’t a perfect title for a children’s picture book, I don’t know what is. What child can resist reading a picture book called THE DEAD BIRD? In this case, it’s a reissue of the classic written by Margaret Wise Brown published in 1938, and recently re-illustrated by Christian Robinson, (Harper, an imprint of HarperCollins, 2016.) The dramatic thrill of discovering a dead bird on the ground and coming up with plans to bury it is a right of passage of childhood. (Far better than the body of a mouse, say, or something larger like a squirrel. Yuck.) How many adults can remember finding a baby bird after it had fallen out of its nest and rushing as professionally as paramedics to save it? A cardboard box, tissue for it to lie on, leaves for it to eat. A worm, maybe. Will it live? Sadly, not without its Mother. As we learned when we were young, to put a baby bird back in its nest after touching it with our hands would mean certain maternal rejection. It was so tragic, so deliciously dramatic.
Some negative comments have been made about this book – both when it was originally published and now with the re-issue – suggesting that it’s a stark handling of a delicate matter and too tough for children. I can only imagine they were written by people who don’t spend much time around real children. Children are warm-hearted, cold-blooded little humans. They take death in stride and Margaret Wise Brown knew exactly how to talk to them – without false sympathy and tell it to them straight. “The bird was dead when the children found it,” starts this wonderful, realistic story. They touch its body to see if its heart is beating. Alas, it’s not. “That was how they knew it was dead.” Even as they hold it, it starts to get cold and stiff. Imagine the thrill and horror children would feel when that happens! This is real life! “… cold dead and stone still with no heart beating.” At the risk of sounding callus, that sentence makes me laugh. I can hear a solemn child delivering those very words now.
It’s not that the children in the book are heartless. There are wonderful illustrations of their feelings. “They were very sorry the bird was dead …” but they don’t waste time with crocodile tears. They understand that some ceremony is required and dress up appropriately, complete with animal face masks and butterfly wings, to show respect and bury it. They sprinkle flowers around the hole and sing a wandering song “Oh bird, you’re dead, you’ll never fly again …”
“Then they cried because their singing was so beautiful …”
Ha! Who says children can’t handle the death of a bird? That they should be denied the solemn tradition of burying it?
Eventually, of course, in a healthy childlike way, their lives move on. “And every day, until they forgot, they went and sang to their little dead bird …”
Julie Fogliano is one of my favorite picture book authors. Her newest, just out this month, is a collection of poems that capture seasonal moments throughout the year. Here’s a peek at the first poem:
Is there a more perfect way to celebrate “green” than to settle down with a collection of Joyce Sidman’s poems? From the flap copy: “From spring’s first thaw to autumn’s child, the world of the pond is a dramatic place. Through seemingly quiet, ponds are teeming with life and full of surprises.”
Why not start with “A Small Green Riddle” about the smallest of the flowering plants, or a poem about spring peepers titled, “Listen for Me”? Join Joyce as she celebrates the beauty and mystery of ponds and wetlands.
“Weeds send their seeds into the world in wondrous ways: fluffing up like feathers and floating away on the wind.”
This lusciously illustrated ode to the beauty and tenacity of weeds will find its way into your heart! And don’t miss Cindy’s comprehensive TEACHER’S GUIDE, including lessons in science, informational narrative writing, poetry, art, and more!
Mission Statement
To provide teachers, librarians, and parents with the resources and inspiration to foster a love of reading in kids, K-5.