Ode to a Bad Day

Posted on 04/16/2023

Chronicle Books | 978-1797210803

We’ve all had our share of bad days. Times when nothing goes our way. We’re late, we’re bored, someone cuts in line, even dinner disappoints. It feels like the whole wide world has turned against us.

Then, just when we think we won’t be able to stand another minute of it, this happens…

“Oh Cricket in My Room.
cheet-cheet-cheet, cheet-cheet, cheet-cheet.
A bleaty tweet with insect feet!
You’re up, you’re down, you’re all around
I can’t escape your cheet-y sound!
Oh you Cricket!”

Could things get any worse? And then… well, you put things in perspective. Not every day will be like this one, right?

“Oh, Bad Day,
all day long
my way went wrong.
I’m so annoyed…
but not destroyed…

…My eyes are closed, and I suppose
a better day is on its way.”

It’s impossible not to smile. Sure, we’re all seen bad days, but – somehow or other – things eventually turn around.

With charming verse by Chelsea Lin Wallace, ODE TO A BAD DAY takes the sting out of the kinds of everyday annoyances we’ve all experienced. Hyewon Yum‘s sweet illustrations, rendered in watercolor and colored pencil, capture the emotional journey of the young protagonist while leaning into the undercurrent of humor that bubbles up and emerges by the book’s end.

ODE TO A BAD DAY is sure to remedy even the worst days and remind readers that a new and better day is just around the corner.

***

DIANNE: Welcome, Chelsea! Thanks for agreeing to answer a few questions about your newest book!

CHELSEA: Thank you for having me, Dianne! It’s such a pleasure to get to interview with you – my agent sister!

DIANNE: One definition I found described an ode as a form of lyric poetry that expresses emotion and represents the poet’s musings on a thing (or person). ODE TO A BAD DAY is exactly that, Lots of emotions about all the bumpy moments your sweet protagonist encounters in a day. I imagine you had fun coming up with those moments – from rusty bones to dusty teeth, soggy, squishy cereal to stinging knees. We’ve all had those kinds of day, even as we can’t help but smile at the young girl’s dramatic hyperbole. As writers, we know that inspiration for stories can be found just about anywhere. What was the spark that inspired this ODE?

CLICK TO ENLARGE © Words by Chelsea Lin Wallace, illustrations by Hyewon Yum

CHELSEA: I will give you a hint: cheet-cheet-cheet!  Oh, that cricket! My daughter was 7 yo when she was visited by a chirping cricket in her room and she couldn’t figure out where it was coming from. The DRAMA! She was furious and frustrated and we ended up tearing apart her room looking but we still couldn’t find the guy. After a while her anger turned into giggles because of how ridiculous the whole night had become. I started paying close attention to all the tiny and tremendous annoying moments in her day and the story unfolded.  I knew I wanted to flip the ode on its head – essentially ode-ing to the moments we don’t like – because in many ways we can be just as grateful for the moments that challenge us as the ones that lift us.

DIANNE: What I love so much about your story is the way it makes space for the young protagonist to vent all manner of her complaints. At the same time, we – as readers – can’t help but feel our spirits lift at the humor of it all. Sometimes a missing pudding cup and yucky, slimy sauce on our spaghetti is the worst! Ha!

Do you have a favorite best “worst moment” that you knew you wanted to include? Were there some moments that were part of the drafting process that you eventually cut (either before or after the manuscript was acquired)?

CHELSEA: Ah! Well, I definitely had to include the cricket! My other favorites are boredom at the store and the missing pudding cup but a lot of that is credit to Hyewon’s utterly hilarious illustrations that made those moments over-the-top epic; the smug smile from the pudding cup kid is probably my favorite spread in the book. The hiccup ode is one of my favorites to read-aloud.

I had to go back to my earliest drafts to find out what odes were cut – turns out a few! Originally I had one about a bully, a first day of school, and a cold. When I decided to arc this into a day the first day of school didn’t work anymore. The bully one morphed into the line-cutter (the specificity of that made it much stronger and way funnier), and the cold turned into an entirely new book! I will speak to that one in your last question.

DIANNE: Finding the perfect ending for a picture book is not always easy. The “Oh, Cricket in My Room” stanza was a lovely surprise that begins the ending of this bad day and cleverly “signs off” the very last spread. How did you come up with this terrific ending?

CLICK TO ENLARGE © Words by Chelsea Lin Wallace, illustrations by Hyewon Yum

CHELSEA: I love this question! Truthfully I always knew that the cricket would be our last ode (since it was based on my daughter’s real experience at bedtime). It was Hyewon’s idea to introduce the cricket in the opening spread sneaking through the window! I LOVED that and suggested we see the cricket follow her throughout the day. The cricket became somewhat of a character in the story. So when she closes out the night with hope for a better tomorrow I felt it would be hilarious but also sweet if the cricket answers her “that day could happen tomorrow, right?” with a cheet-cheet-cheet.

DIANNE: Ah, yes! The cricket gets the last word! Genius!

What are you working on now? What can readers look forward to?

CHELSEA: Thank you for asking! I’d mentioned I had an ode about a cold originally in ODE TO A BAD DAY. That particular ode inspired my young daughter to write a bunch of odes all tied to being sick or hurt. That’s when it occurred to me that the concept of a bunch of kids getting hurt and sick at school needed its own book. It became THE BOO-BOOS OF BLUEBELL ELEMENTARY, brilliantly illustrated by Alison Farrell, and it’s coming out from Chronicle in the fall. This hilarious story in rhyme follows a cast of kids pouring into a school nurse’s office with various aches and ailments.

I have several more books coming out in 2024 and 2025 including a fun and funny story in rhyme called DARE TO BE DARING with Lian Cho (Abrams) and the recently announced WE ARE THE THEATER with Molly Idle (Abrams).

DIANNE: You’ve been busy! I can’t wait to check out these upcoming books!

 

***

Chelsea has some great extension activitites on her website to accompany ODE TO A BAD DAY:

And… an original **SONG,** inspired by and created for ODE TO A BAD DAY, and written, composed, and performed by Tara Trudel:

 

 

Poetry and Picture Books for National Poetry Month!

Posted on 04/10/2023

April is National Poetry Month!

 

Check Out the Poetry Collections and Picture Book Length Poems Below!

Collections: 

WHERE I LIVE: Poems about My Home, My Street, and My Town

Selected by Paul Janeczko, illustrated by Hyewon Yum
Candlewick Press | 978-1536200942

Whether you live in the city or the suburbs, in a house or an apartment, the thirty-four poems in Where I Live will conjure up special memories of your favorite neighborhood.

Whether it’s cracks in the sidewalk, ice cream cones, or a day at the park, there’s a poem for you in this collection selected by the late Paul B. Janeczko.

  • Enjoy this interview with Liz Bicknell, Janeczko’s long-time editor at Candlewick, talking about the process of completing his last poetry collection following his death in 2019.

 

AT THE POND

by David Elliott, illustrated by Amy Schimler-Safford
Candlewick Press | 978-1536205985

At the Pond is the 7th book in a series of poetry collections about animals in different settings and time periods (Farm, Sea, Woods, etc.). Flowing from one poem to the next, readers follow a variety of pond creatures from the “hello morning song” of a red-winged blackbird, to a water strider who writes “… his story/in rippling/hieroglyphics,” to the “majestic and absurb” great blue heron.

Short paragraphs of backmatter provide information about each creature mentioned.

 

Picture Books: 

Some of my favorite picture books could be described as picture-book length poems and, for National Poetry Month it seemes appropriate to mention at least two newer favorites.

MOMMY TIME

by Monique James-Duncan, illustrated by Ebony Glenn
Candlewick Press | 978-1536212266

“Wake up! Sun’s up. It’s morning time,
and we just love our Mommy time.

She drags us out of bed time,
then it’s comb our bushy hair time

dressing time
breakfast time.

Pack up lunch, a tasty munch,
and off sister goes to school time.”

I love the pacing, changing rhythm, and page turns of this sweet picture book poem about busy-at-home days with Mommy. This book is a beautiful ode to moms and a fun read-aloud, charmingly illustrated by Ebony Glenn.

 

PATCHWORK

by Matt de la Peña, illustrated by Corinna Luyken
G.P. Putnam’s Sons Books for Young Readers | 978-1984813961

The story opens with a gender reveal party and the idea of a blue sign and a gender mark and a blue mood. Very quickly the idea of a patchwork is introduced  –  people are more than just one thing, or one way.

This story about identity is a great conversation starter for a slightly older picture book reader about the many ways to be. Although we love to celebrate the varied talents and interests of the people close to us, we also all need time and space to experiment, practice, and grow into our own choices and dreams. We are alike and different. “… more than a single note… a symphony…”

 

 

Cooler Than Lemonade

Posted on 03/27/2023

‎ Source Books Jabberwocky | 978-1728254296

 

Eva has no end of ideas. She’s a problem-solver, a solution-finder, and a maker.

“One summer day,
when everyone seeks relief from the scorching sun,
a new idea SNAPS into Eva’s head!
It SIZZLES with possibilities
and SPROUTS into something bigger until…
it LAUNCHES!”

 

CLICK TO ENLARGE © text by Harshita Jerath, illustrations by Chloe Burgett

Soon, Eva’s lemonade stand is open for business. She has all she needs: “the freshest ingredients, a welcoming smile, and a can-do attitude.” The only problem? Competition! Jake has opened his lemonade stand just across the street.

Fortunately, Eva excels at finding solutions. Unfortunately, so does Jake. He ups his offerings, lowers his price, and manages to attact more customers.

But Eva is no quitter! A new idea SNAPS, SIZZLES, SPROUTS! Her plan successfully manages to win back customers. But not for long. What will Eva do next??

Cooler Than Lemonade: A Story About Great Ideas and How they Happen by Harshita Jerath, illustrated by Chloe Burgett,will encourage young readers to embrace Eva’s can-do spirit and inspire them to meet new challenges with a determined, positive attitude. It’s persistence, idea generation, and young entrepreneurship at its best.

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It’s my pleasure to introduce friend and local Arizona author, Harshita Jerath, to ReaderKidZ! 

DIANNE: Welcome, Harshita! Thanks for visiting ReaderKidZ.

You dedicate the book to your son, Neel, “whose idea bucket is always swirling with possibilities.” Eva’s idea bucket swirls with ideas, too.  What was the inspiration for COOLER THAN LEMONADE?

HARSHITA: COOLER THAN LEMONADE was inspired by my son, Neel. It was a scorching summer day of July 2019 when he pleaded to open a Kulfi, ice -cream stand at a farmers’ market. That is when the very first seed for this story was planted. 

 My son is a lot like Eva, the book’s main character. He keeps coming up with ideas, from selling his artwork to opening a lemonade stand. And while offering him guidance, I realized few children’s books provided entrepreneurial insights. 

All the above combined led to the creation of this picture book.  

DIANNE: This is a book about persistence in the face of challenges. But it’s also a book with layers. It’s about problems and solutions, innovation and entrepreneurship. Can you talk more about how the story “grew” as you revised? Did you always have in mind to include these additional elements, or did the layers come as a result of multiple revisions?

CLICK TO ENLARGE © text by Harshita Jerath, illustrations by Chloe Burgett

HARSHITA: The initial draft was set up in a farmers’ market, and a considerable part of the story was about the mom, whereas Eva seemed like a sidekick. Once I removed the mom, the story became buoyant and flowed. 

 As I continued revising, I realized the story was not about opening the Kulfi stand but highlighting Eva’s entrepreneurial spirit. And that is when I started to have fun with the story.  

I immersed myself in entrepreneurial books and magazines. I became excited to introduce the concepts of idea generation, taking action, a friendly competition, marketing, promotion, embracing failure, pivoting when needed, and not giving up.  

After I included all these ingredients to the story, I realized I had missed a crucial part of the story—the family influence. That is when I added a layer of sibling connection and introduced Aru, Eva’s younger brother and an ardent supporter of her innovations.  

So, the different layers resulted from numerous revisions over several months. 

DIANNE: Are you more like Eva – full of ideas and inspiration – or her brother, Aru, who helpfully supports and encourages Eva as she faces each new challenge?

HARSHITA: What an interesting question, Dianne! In the book, Eva comes up with innovative problem-solving ideas, while Aru, her little brother, is always by her side, rooting for her.  I am more like Aru, who supports his sister Eva’s endeavors. 

DIANNE: Can you share what you’re working on now? What can your readers look forward to?

HARSHITA: My next book is a Random House’s early reader Step into Reading book, that’s slated to come out in Fall 2024. The story is about a dog who gets a little too excited by the sweets laid out for the Diwali celebration. It’s a story about friendship and acceptance and is hundred percent inspired by my childhood pet.

Thank you, Dianne, for inviting me to your blog. I enjoyed responding to your thoughtful questions. If readers have any questions, they can always reach out to me at: me@harshitajerath.com.

DIANNE: Thanks, Harshita!

🍋🍋🍋

 

Anzu the Great Listener

Posted on 03/20/2023

Roaring Brook Press | 978-1250776136

A few weeks ago, I had the good fortune to attend and present at one of the largest book festivals in the country – the Tucson Festival of Books. There, I met the kind and wonderful Benson Shum, who is both an author/illustrator of picture books and an animator for Disney!

I’m so glad he agreed to answer a few of my questions about writing and illustrating and the overlap of both with his experiences working in animation.

But before we get to that, I wanted to share a little more about ANZU THE GREAT LISTENER, the followup to Benson’s ANZU THE GREAT KAIJU.

🌸🌸🌸

Anzu is a sweet monster with a special power that makes flowers bloom. He loves the villagers in his neighboring city and is always ready to bring hope and laughter whenever they need it.

Whenever he’s feeling a bit overwhelmed, he pauses to spend time caring for his bonsai. One day, while waiting for the bonsai to bloom, Anzu hears the weeping of his neighbors and immediately wants to help. Would some of his beautiful flowers brighten the day?

“Floosh! A splash of cherry blossoms painted the sky.”

 

CLICK TO ENLARGE © Text and Illustrations by Benson Shum

Anzu’s heart was in the right place, but his best intentions fell short. He wondered:

“Did I do something wrong?

           Did my flowers lose their power?”

After some time with his bonsai in quiet reflection, Anzu understands that what the villagers really need – more than flowers or his own good intentions – is someone to listen.

This story about patience and empathy is sure to resonate with young readers learning the importance of pausing to pay attention to your own feelings, as well as those of others.

🌸🌸🌸

DIANNE: Thanks, Benson, for taking time out of your busy schedule to answer a few questions! Anzu is a Kaiju – a “giant monster.” But, unlike the other Kaiju members of his family, Anzu’s superpower is not loud and flashy. Instead of wreaking havoc and disaster, Anzu’s superpower is a FLOOSH! of flowers, quiet and heartfelt.

I read that, as a child, you were a fan of monsters – Godzilla! King Kong! What led you to create Anzu, a Kaiju who is unlike any other?

BENSON: Hi Dianne! Thank you for reading Anzu the Great Listener and for your questions. Yes, I’m a huge fan of giant monsters. The thought of these amazing creatures that tower over buildings, and are larger then life is fascinating. They are usually portrayed as destructive, especially from the people’s/city’s point of view. But I thought, what are the monsters thinking? Do they like to destroy?  Are they told this is what they are supposed to do?  What if they wanted to know their city and its people? That sparked the idea and world of Anzu.

DIANNE: Your skillful use of pacing, panels, and page turns guides the reader to experience the story in the same way Anzu does. Quiet and peaceful when he tends his bonsai, overzealous when he tries to solve the villagers’ problems, and finally, returning to questions and a long deep breath that causes him to realize that what was needed most was listening.

How has your experience as an animator informed your work as a picture book creator? Are there some skills (like pacing and a character’s emotional arc) that transfer and other skills that don’t have an equivalent because the format and delivery of the story are different? Share a little of your journey from animator to picture book author and illustrator.

BENSON: Thank you! I really appreciate that. There are a lots of similarities between animation and picture books. They are both forms of visual story telling. And both are about characters – getting into the minds of who the they are and what they want.

Page turns are something I learned from picture books. And we have something similar in animation. We call it an “antic,” which is the anticipation of what the action will be. For example, if we have a baseball player. They have to “wind up” before they swing the bat. The wind up is the anticipation. So to translate that in picture books, you would wind up, then turn the page and swing!

The differences between picture books and animation are that in animation we have the time and flexibility to know who these characters are because it’s a longer format, and we see the characters moving and acting. But in picture books, we try to capture the most important emotion and expression that can carry a page and paragraph of text. This can be just as powerful, if not more so. So I love playing with the balance of text and imagery in my books.

With pacing, I try to think where the character is at. Like you mentioned, if Anzu is feeling excited, maybe the pages turns faster or there is more action. And when he feels calm, then I’ll try to slow down the page turns, keep it quiet, maybe a spread vs spots.

DIANNE: You have several more books coming out this year. What can you tell us about your upcoming projects?

BENSON: Thank you, yes, I have a couple of more books this year. CINDY AND PANDA is coming out May 9th, 2023 with HarperCollins. It’s about a little girl named Cindy, who loves to bake, but doesn’t always follow a recipe. One day, as she goes out to get some ingredients and brings back Panda! Chaos and fun ensues and they develop a sweet-as-pie friendship.

And FIRST NIGHT OF HOWLERGARTEN comes out  August, 8th 2023. It’s about a little girl named Sophie who is anxious about her first night of Howlergarten (Kindergarten for werewolves). She’s afraid she might not transform into a werewolf on the first full moon. Will she be left out of the pack?

Thank you Dianne for your wonderful questions and having me on ReaderKidZ!

DIANNE: Thank YOU, Benson, for letting readers learn a little more about you, your books, and your writing process.

 

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Enjoy this Teacher’s Guide, chock-full of ELA, Math, Science, and Social Studies Activities for the class

and…, for younger readers, this Activity Kit with coloring pages,a word search, maze and more!

 

nell plants a tree

Posted on 03/13/2023

Balzar + Bray | 978-0062865779

 

Before a grip on a branch
and a fall to the ground
and a scrape
and a leap
and a reach for the top,
before anyone finds out how high they can climb,

Nell picks up a seed. 

 

So begins Anne Wynter‘s beautiful story of the love, care, and influence of one person on her family and extended family over several generations. Alternating between the past and the present, the narrative weaves a gorgeous description of a close-knit family playing, planting, cooking, eating, reading and sharing life with one another. Daniel Miyares‘ rich illustrations in pen and ink, gouache, and collage embue the story with the warmth and wonder of nature, family, and friends.

Anne was kind enough to allow readers a peek into the journey of her latest book.

 

DIANNE: NELL PLANTS A TREE is a beautiful picture of a specific way one generation plants a seed that grows and bears fruit for generations to come. What was the spark that made you decide to write about this topic and, more specifically, to tell the story around the image of a tree?

ANNE: Thank you! Well at first I was trying to tell the story of a grandmother and a grandchild. I wanted to show the cause and effect of how the grandmother’s actions impacted her descendant in some very tangible ways. But the story felt way too flat. Then, after many drafts, I decided to focus on a pecan tree.

The tree idea came from out of nowhere when my husband’s aunt sent us an email encouraging us to plant trees in our area. As soon as I read it, it hit me that I should center the book around a tree. Thank goodness for that email!

DIANNE: I remember reading a compelling early version of this story in 2018, and even then, the idea of planting a seed and the connection between generations was at the center of the story. But, as you continued to work on your idea, the telling of your story changed quite a bit from that version. Understanding the concepts of cause/effect and the passage of time can be a tall order for a child of picture book age to fully grasp. And yet the structure you ended up with made the back-and-forth between the “before now” moments and the “back then” moments seamless and easy to follow. Can you talk about the process you went through that led you to the book’s final format? Was it a spark of genius, trial-and-error, or a mix of both?

 

CLICK TO ENLARGE © Text by Anne Wynter, Illustrations by Daniel Miyares

ANNE: It was a ton of trial and error! Heavy on the error. This was my hardest book by far. Here’s part of an early draft (which I found in an email to you – from when you taught me at the Writing Barn!) I worked through a lot of these early bad drafts with your help – thank you so much for your keen eye for lyricism and your wonderful feedback.

This is from one of the early drafts:   

Nell ties a knot. John swings and leaps.                 

Nell sews a quilt. John braves the storm

You can see it’s very flat! Regarding content, it’s not about a tree yet and the story is focused on just one of Nell’s descendants instead of multiple descendants. Structurally, each line describes the past first, then the present. Also, I gave an equal number of words to the past and the present.

Realizing that I should give the present more words (and a different rhythm), and that I should start with the present and end with the past in each section – those were each huge turning points in getting closer to the final draft. Once I decided to put the present first, I settled on starting each section with “Before.” But getting the rhythm down was tricky. Even after solving all those content and structure problems, I still had to work through a ton of drafts to settle into the perfect rhythm.

CLICK TO ENLARGE © Text by Anne Wynter, Illustrations by Daniel Miyares

DIANNE: In most cases, authors get to see bits and pieces of the illustrations as they move from initial sketches to final art, but there’s nothing like opening the book for the first time and holding the finished picture book – art and words – in your hands.

Do you have a favorite spread or an illustration that completely surprised or delighted you the first time you saw it in book form?

ANNE: I LOVE the cover Daniel Miyares created! I love it so much that I want to put it on a poster, bookmarks, notebook covers – everywhere.

It feels personal because in the book, kids do a variety of activities – climbing a tree, racing, baking, etc. But of all the actions in the book, finding the perfect spot to read feels closest to what I would’ve been doing as a child.

You mentioned that feeling of holding the finished book . . . I just love the texture of Nell Plants a Tree. I don’t know book design terminology but it has a matte feel which seems perfect for Daniel’s warm illustrations, the outdoor setting and the sense of comfort that I hope the story brings. The book also has a lovely under-the-cover element.

CLICK TO ENLARGE © Illustration by Daniel Miyares

DIANNE: What can readers look forward to next?

ANNE: I have a humorous picture book and two board books coming out – those haven’t been announced yet, so I can’t share many details. Jerome Pumphrey and I have a Juneteenth picture book coming out called SO MANY YEARS. And there’s a third upcoming picture book I can’t tell you about – but I will say this. I wrote it out in one single go – no drafts! That has never happened to me before and probably never will again. But given how many Nell Plants a Tree drafts I wrote, I think it all balances out!

I’m very excited about all of the upcoming books! And I’m working on longer books – chapter books and (hopefully, if I can conquer my fear and actually get down to work) a middle grade novel.

Dianne: I can’t wait to read your newest, Anne! We know each one will be a gem!!

 

**

 

A Llama Is Not An Alpaca: And Other Mistaken Animal Identities

Posted on 03/05/2023

978-0762478781 | Running Press Kids

Learning the names of familiar animals is a skill young kids develop over time. “This is a dog. That’s a cat. This is a lion. That’s a tiger.” Year by year, as children move from toddlerhood through preschool and beyond, they come to know more and more about the animal kingdom.

But there are some animals that remain confusing. They look just enough alike that it can be hard to distinguish one from another. What’s the difference between a turtle and a tortoise? How is an alpaca different from a llama? Enter Karen Jameson’s newest nonfiction for young readers: A LLAMA IS NOT AN ALPACA: And Other Mistaken Animal Identities, illustrated by Lorna Scobie.

With short rhyming couplets that name one defining attribute, this inviting picture book makes matching the look-alike with its proper name easy for all, including for the youngest reader. A short paragraph rounds out the reader’s knowledge with a few more nuggets of additional information making the book a delightful entry point to learning more about animal characteristics and attributes.

Karen was kind enough to answer a few questions: 

DIANNE: You’re no stranger to writing nonfiction. As a former classroom teacher, you have a great handle on the kinds of kid-friendly information that kids are interested in and you’re skilled at approaching each topic in a slightly different way.

KAREN: Thank you! It’s a joy to create fun, accessible nonfiction books for curious kids!

DIANNE: What sparked the idea for A LLAMA IS NOT AN ALPACA And Other Mistaken Animal Identities? What led you to choose the rhyming format that you ended up with?

KAREN: A LLAMA IS NOT AN ALPACA was inspired by a nature walk. I was walking along when an animal suddenly zipped in front of me, prompting the question of whether I’d just seen a chipmunk or a squirrel. Further up the trail, I paused to identify a plant and debated over whether it was a weed or a thistle. And so it went. All this reminded me that when I was teaching, my students often approached me with these types of questions. Frog or toad? Alligator or crocodile? Hmmm…Could this be a picture book? YES! Though the squirrel and chipmunk ultimately didn’t make it into the book, there were plenty of animal pairs to choose from in this quick dip into animal look-alikes.

The rhyming, question and answer format evolved from my own questions on that walk. Is it animal A or animal B and how can you tell? That became the basis for the main text. The nonfiction sidebars are written in prose and invite readers to pause and take in the facts.

DIANNE: I’m sure some animals were high on the list because kids routinely confuse them – frog vs. toad, hare vs. rabbit. Others were less obvious choices. Clam vs. oyster, for example. How did you ultimately decide which animals to include and which to leave out?

KAREN: You’ll probably laugh when you hear this!  A lot of the choices I made were ultimately because I was able to come up with a good rhyme for that animal pair.:-) Some, like the aforementioned squirrel and chipmunk, were difficult to rhyme, proving too clunky. I was also drawn to those with interesting facts, such as the clam moving around on one foot. Since this is a book about “easy” ways to tell animals apart, I left out any pairs that needed a longer, more complicated explanation.

DIANNE: One of the things that makes A LLAMA IS NOT AN ALPACA so much fun is the striking, colorful way Lorna Scobie has captured the essence of each creature. Her work is vibrant and full of life and adds a layer of eye-catching energy to the project.

Do you have a favorite spread to share with readers? Was there an favorite animal fact that you discovered while doing your research that you knew you’d have to include?

KAREN: Lorna’s art is very engaging! A combination of saturated color and playful animals, it’s the perfect complement to the “punny” text. There are so many details to explore in the illustrations, too. She thought of everything, including animal silhouettes on the endpapers – an additional opportunity for readers to identify animals.

I love them all, but the hare vs rabbit spread is especially delightful! The energetic hare bounding in to start off the book, leads us right to the page turn reveal!  The juxtaposition of hares above ground and rabbits below is a visual masterpiece, concisely illustrating the difference between the two.

© Text by Karen Jameson, illustration by Lorna Scobie

The llama and alpaca- who love to spit – were high on my favorites list! So, I was thrilled that they ended up on the cover AND in the title!

DIANNE: What’s next? Do you have more nonfiction books in the works?

KAREN: I’m excited to share that I have three more nonfiction projects in the queue and others in the works. The first, WAKE UP, WOODLANDS, is the companion title to WOODLAND DREAMS, and my second collaboration with the amazing illustrator, Marc Boutavant. and Chronicle Kids. Look for it to hit stores in spring 2024! I can’t say much about the other two at this point, but suffice it to say that more animal fun awaits.

DIANNE: I can’t wait for these newest nonfiction projects, and look forward to WAKE UP, WOODLANDS next year around this time!

Thanks for stopping by stopping by ReaderKidZ!

 

To learn more about Karen and all her other books, visit her website HERE.

 

 

In Every Life

Posted on 02/26/2023

Beach Lane Books/S&S | 978-1665912488

 

There’s a truth about picture books that those who haven’t tried writing them have no experience with.

It’s this: Picture books are mysterious, elusive things that settle somewhere in our hearts. They are both deeply felt, and are like wisps that are barely solid enough to find their way to the page in full form.

Writers work to capture words that will birth illustrations that illuminate and expand to include all the wonder and light we have imagined – the essence of the story we mean to write.

And yet, such stories take time. Months, years, even decades.

In the case of Marla Frazee‘s newest, In Every Life needed 25 years for the perfect words to arrive, the ideal structure to appear, and the world to be ready to receive it as the gift it is.

It’s a book about birth and wonder, smiles and light, hope and doing, moments and mystery.

 

CLICK TO ENLARGE © Text and Illustrations by Marla Frazee
CLICK TO ENLARGE © Text and Illustrations by Marla Frazee

Beautifully written, illustrated, and designed, IN EVERY LIFE is an exquisite example of the best of all things a picture book can be, the perfect marriage of text and illustrations, a book to pore over, read and reread, and share with young and old.

 

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